Portfolio
Interviews
Simple Plan Has Been Around for 25 Years but They’re As Relevant as Ever—Partly Thanks to TikTok – Collider
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Eva Victor is a Triple Threat in Their Powerful Debut ‘Sorry, Baby’ – Shedoesthecity
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Hannah Moscovitch Wants Women to Be Heard in ‘Red Like Fruit’ – Shedoesthecity
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Ally Pankiw on Stand-Up Comedy & PTSD in ‘I Used to Be Funny’ – Shedoesthecity
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“There Was a Universality in Terms of What Was Needed by the Moms”: Connie Britton on Her New Hallmark Series – Collider
Reviews
'We Were Liars' Review: This Psychological Thriller Series Is Prime Video's Best Teen Drama Since 'The Summer I Turned Pretty'– Collider
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'Unstoppable' Review: Jharrel Jerome Leads a Crowd-Pleasing Biopic About a Resilient Wrestler – Collider
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'The Assessment' Review - Alicia Vikander Puts Elizabeth Olsen and Himesh Patel Through a Nightmare – Collider
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'Say Nothing' Review - FX's True Crime Series Is a Piercing, Must-See Portrait of The Troubles – Collider
'Seven Veils' Review: Amanda Seyfried Is a Disturbed Director in Atom Egoyan's Reimagining of a Classic Opera – Collider
'Forever' Review: I Fell Head Over Heels in Love With Netflix's Irresistible Judy Blume Adaptation – Collider
Features
​Love beyond borders – The Uniter
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Still Not Over It: “Hamnet” Finally Gives Shakespeare's Wife Her Flowers – CherryPicks
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Who Is Clara Bow, & Why Does Taylor Swift Have a Song Named After Her? – Collider
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Languages speak louder than barriers – The Uniter
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Brazilians bring passion, drive to Winnipeg – Winnipeg Free Press
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‘Sing Street,’ One of the Best Musicals of the 2010s, Deserved Better – Collider
Red Carpet - Photography
